************************************************************************* Copyright (c) 1989 by N. N. Billawala The following file contains information about the Pandora Family of fonts. The fonts were developed using Metafont. These fonts should be considered as in a beta state. ************************************************************************* The files are set up according to the following scheme: Contains all the parameters for varying the font. pnb10.mf, pnr10.mf, pnsl10.mf, pnss10.mf, pnssb10.mf, pnssi10.mf, pntt9.mf Macros used in the various characters. pandor.mf Determines which set of characters will be in the font. rotext.mf, tttext.mf Determines the widths of the characters. Note that width values will change according to the individual shape of the character. width.mf The actual character descriptions are here. panlowers.mf, caps.mf, number.mf, pangreeku.mf, panaccent.mf, panpunct.mf, punctr.mf, puncts.mf, fligs.mf, ttchar.mf, punctt.mf ligs.mf In order to create a font, you need only invoke Metafont, set a mode for a device, and input one of the general font files. % mf ** \mode=yourchoice; input pntt9 The intent of the Pandora project is to test the ideas and power of Metafont in a design context. The starting point came from broad ideas about type, rather than trying to create a specific predetermined typeface. One strong driving force was the idea to create a generalized description of the visual relationship between characters in a typeface. This is far from saying that similar characters use parts that are "cut and pasted" directly from one to another. This is how a "straight arm" and "curved arm" came to be in the same macro, though they are visually quite different. Many parameters create an endless variety of possibilities. The concern was to create a basis from which a "reasonable" and readable set of fonts might be derived. It's not important that all variations work, rather, that it's possible to find a reasonable set within the basis. A rich description allows a designer to quickly look at a number of possibilities. The character sets for the fixed width font and for the variable width fonts correspond to those which Don Knuth used in the Computer Modern family of fonts. This was done intentionally so that we would have compatible and interchangeable character sets. The compatibility ends there. All of the fonts are currently set for 10 pt type, except pntt9.mf, which is set for 9 pt type. Pntt9.mf (Pandora Single Pitch 9 works out to 15 characters per inch). Hooks have been put in for point size changes as well as for boldness. Comments, criticisms and suggestions are welcome. Please send them to me at {decwrl, seismo, ihnp4, ucbvax ...} !sun!metamarks!nb N. N. Billawala